Producer, participant of the APostLab Annual workshop 2025 – Helsinki and Tallinn
For those who don’t know you yet, could you introduce yourself?
I’m a producer working across different genres and formats. I started in non-scripted television, and over time I transitioned into scripted work. Today I mainly produce scripted projects, both films and TV series.
How did you hear about APostLab, and what made you apply?
There was an announcement from our national film institute about APostLab. It immediately caught my attention because I had already experienced how challenging it can be to oversee post-production on low-budget projects. I felt there was a lot I didn’t fully understand, and I thought the workshop could be very useful. So I applied, and fortunately, I was accepted.
Did the workshop meet your expectations?
It did more than that. It exceeded my expectations. I expected to gain new information, but not on this scale and not in such a structured way. For me, it opened a completely new world. I realized how complex and interconnected post-production really is, especially when working internationally. It genuinely changed how I look at the entire production process.
Is there one key learning that stayed with you?
Yes, very clearly: post-production starts in pre-production. That was a turning point for me. Before APostLab, I had never fully realized how many issues could be anticipated early on to make life easier later.
You applied with the series Let It Snow. How did APostLab influence that project?
The influence was definitely positive. Even now, when I read scripts, I automatically see details that affect budgeting and scheduling in post-production. Working closely with the post supervisors I was paired with, Raphaela and Emmi, was incredibly fruitful. We already developed preliminary approaches that I can use directly. And beyond that project, the timing was perfect because I have another production starting soon, and APostLab helped me ask the right questions early enough.
What do you think makes a strong collaboration between a producer and a post supervisor?
Communication, listening, and care. This applies not only to post supervisors, but to every crew member. You need to understand people’s needs and make them feel safe and supported. I strongly believe that a positive working environment is essential. Even when dealing with very difficult subject matter, trust and care within the team allow everyone to do better work and not assume others work like you do.
Do you have a favorite memory from the workshop?
It’s not a specific moment. What stays with me is the overall emotion. The feeling of being fully engaged, learning, exchanging experiences, and openly sharing mistakes. That atmosphere stayed with me more than any single event.
Would you encourage others to apply to APostLab?
Absolutely. Even if you think you already know a lot, the exchange between producers and post-production professionals is invaluable. Being in a safe environment, talking freely about challenges and wins and learning not only theory but also from the mistakes of others – broadens your perspective and challenges your assumptions. It’s an experience I would strongly recommend.
Is there anything else you’d like to add?
Just my thanks to the tutors and the entire APostLab team. I truly enjoyed the experience, and I hope the workshop continues to grow.
Interview conducted by Monse Higareda Patrón (December, 2025).
